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My work spans nearly two thirds of the twentieth
century from an early naturalism through abstraction and "avant-garde" interests to
cultivation of a "late" personal style which amalgamates many
influences from earlier sources, including an intensive study of the Western
and Oriental arts from the Renaissance to the present.
My beliefs were associated with modernism from 1945, or the "avant-garde" up
to about 1960 when I discerned a surrender of the intensity and sincerity
of the modernist esthetic with a replacement by a commercial seller-buyer
ethos.
Before 1970 my work had evolved, step by step, toward semi-abstraction
in painting, collage and three dimensional box construction, all of which
sold well in commercial galleries in Los Angeles and New York.
Presently, I would characterize my work as a vividly charged personal naturalism,
fructified by the early healthy influences from the pre-1960 modernist
movement. This work is now deeply rooted in my love for the surrounding
forests and rural land of our homestead in upstate New York. |